in a nutshell: mellow floating braindance, electro, quirky and wonky techno beyond standard schemes. a1 we start with sane - the hangover. this tune is made for quirkier techno sets. it is a funky wonky techno tune mocking around with a whistling lead synth on top of a tripped out beat. a2 next one is chordata - silent singer. electrobeats mark the rhythm for this progressive adventure into space. electro in the good old detroit or dutch fashion. a3 jochen heym is also featured twice on it. after his ep -sononaut- this time he brings a mellow braindance electro tune: floating soul b1 in addition b1 contains a remix of the cling clang ambient tune of the stonedwave005 => chip tronic transforms the ambient piece into a hectical electro tune. b2 b2 is the final tune. chip tronic - frequency modulated metallic wide hypnotic screaming leads are being carved into the listeners brain while being distrted and modulated by any means available. the number 18 implies => dark techno rhythms for wonky minds who love it more distorted.

spanish techno artist aiken is back on his own timeline label with another ep that offers up four more of his evocative takes on the genre. it comes after previous outings on non series and semantica and is his label’s first release since 2016. “basic principles” is up first and mesmerises with a pulsing lead synth line that forever changes shape. pummelling drums power along below and add up to a disorientating and hypnotic overall effect. “theory” is deeper and more rubbery, with manic synths and pads all racing along and pilling on the pressure while “midline” is right out fo the jeff mills playbook with its molten sci-fi synths journeying through outer space. clean, crips drums are upright and taught and get you on your toes, then “restriction” closes things out in superb minimalist fashion. this ep covers plenty of ground, and all of it is utterly compelling.

this time we releasing music of someone who has nothing to do with music professionally, it’s something only about passion and inspiration. a very modest ukrainian boy, aleksei berezovskiy is a photographer, but sometimes when he feels like some sound is coming out of his soul he stays in front of his computer making actually a great music. he never shares his music in public, only with some friends and i was lucky enough to be informed about such a talent, so this is how we got into this point.
enjoy beautiful and different sound by dj present perfect now on black 180g inside-out vinyl only ep.

vactrol park are kyle martin and guido zen. besides responsible for 2 unforgettable eps on esp institute in 2015 & 2016 under this alias, kyle and guido are prolific producers, with kyle being part of spectral empire (alongside black merlin), as well as half of land of light (with johnny nash) and more, while guido has been producing under the alias of brain machine amongst others. since malka tuti has been a fan of all of the above, it is no surprise the duo found its way into the ever growing family. with an lp scheduled later in 2018, this ep, self titled, is a door into the sound of vactrol park and its evolution - ever deeper, abstract, and mature. always clear, coherent and flowing, never boring. expect big things from this duo, as their live show, incorporating self-built modular synths and effects is destined for greatness…

amidst destruction on the mainland, the two locomotives minør and pionér transported wagons full of rock and gravel to the icelandic seaside during the construction of the reykjavík harbour in 1913-1917. the two metallic giants ushered in a new age in iceland. however, soon after construction ceased the two trains were parked and have never driven&#8232,,,,,,since. minør is on display near the waterfront and pionér stands lifeless in an outdoor museum on a hill. they are the only trains ever to have graced the icelandic landscape. now they only serve to remind us of the grandeur of a bygone future. at the dawn of the 21st century – again, tumultuous times – we allow ourselves to dream of new minørs and pionérs capable of pulling the tremendous weight of the past strewn all around us and putting it towards constructing an ambitious future.
limited edition of 300 umbered copies.

music featured and inspired by the hit bet show. pressing on clear 180 gram double vinyl.

back in 1962 when this, their third album was released, the group consisted of smokey, ronnie white, pete moore and brother and sister bobby and claudette rogers. while he had yet to be featured in the billing by name that came in 1965 robinson’s photo was top and centre of the lp cover. the ten songs featured barely amounted to 27 minutes of music, but what i ll try something new may have lacked in quantity it more than made up for in quality. and the reason was clear. six of the ten songs stem from robinson s pen five solo efforts and the sixth, closing track this i swear, i promise , a co-write with janie bradford. let s savour an album that, as one perceptive critic put it, features the miracles at their early best... as young, eager kids just starting out, filled with optimism, youthful exuberance and enthusiasm, long before record-company politics, favouritism and restrictions changed the group forever.

larhon is back and the mastermind behind the label who is the prince of dance aka elbee bad, presents with the black white ep a fulminant return. more to come!

dj, producer and rex club resident molly presents the third ep for her rdv music imprint, drawing on talent from across her native france, featuring fellow parisian aleqs notal (clek clek boom, sistrum) and 1977, as featured on syncrophone s for those who know imprint. while each side and artist offer their own distinctive flavour, percussive, classy late-night house music is the main course ideal for late nights under dim red lights.aleqs notal pays tribute to the timeless appeal of spinning analogue wax throughout opening track, sweet rotation a simple hymn to the essence of house music, bubbling gently on bright keys and woozy basslines. hands on follows, offering a more nocturnal angle on this enduring aesthetic, reducing the energy but enhancing the atmosphere even further, both on-record and across any packed dancefloor.the more southern sensibility of 1977 brings drumwork to the fore, weaving an exotic, patient tapestry of bubbling, alluring synths and analogue feedback across two confident, percussive jams. while vodoom indulges in tension and intrigue, ep closer jdlf is pure, unwinding pleasure, across which each of 1977s influences and instruments are offered freedom to breathe and evolve.with this installment of emminently classy and supremely confident house, rdv music continues to prove itself as one of the most worthy musical institutions on the contemporary parisian scene.

three original tracks by french tyrant moteka who continues the exploration of his beloved dark techno territories. the first two tracks more hard hitting, where on the flip, title track zvezda is more spaced out and comes with a crispy electro rework by none other than dutch versatile heavyweight tripeo.

spazio disponibile hits release number 13 in style with a collaborative effort between label co-founder donato dozzy and longtime friends retina.it. it is a typically experimental release that features five weird and wonderful tracks, seeing the label taking yet another dip into the more leftfield areas of electronic music.

released on trax in the golden year of 1989 chicago s virgo aka friends eric lewis and merwyn sanders, along with peers such as larry heard and frankie knuckles, gently pushed house music towards a more musically sophisticated realm that hadn t been explored previously. across 8 tracks virgo took us on a deep exploration of sound that was both masterfully arranged and produced and in direct contrast to a lot of the rudimental and jacking drum tracks that were the flavour of the day. there are few debut albums in the electronic sphere that can claim the title of classic , but this is surely one of them. a defining turning point in dance music, the dawn of what would later be referred to as the deep house movement and sound is all evident with the grooves of this legendary record. often listed as one of the greatest lp s of all time , this self-titled odyssey remains an essential, must have record that never loses it s magic, flawless in every way and still trailblazing today. every home should have one. remastered in conjunction with trax, repressed from the finest audio sources available. often imitated, never replicated! 100% legit.

phillys instant funk are one of salsouls most well-known and respected groups. appearing on the legendary tsop label in 1976 the outfit was renowned for their ultra-tight musicianship and for backing disco icon bunny sigler as his group. the late 1970s saw them sign to nycs salsoul label and this is the point where this compilation comes to life. i got my mind made up was the groups opening shot on salsoul and was a huge hit for them, helped in part by a super long, stripped back and funked out remix by paradise garage jock larry levan. this track and a whole host of others feature on this amazing compilation and snapshot of one of disco s toughest rhythm sections, boasting all their hits and some stellar mixes from levan, tom moulton, john morales, francois kevorkian, shep pettibone and more! this whole selection features the mixes in their 12inch glory, unedited, end to end, as intended. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

after recent outings from the likes of felix leifur and tlim shug, frits wentink is back on his own bobby donny label. his previous releases have been solo affairs but this time he is in collaboration with tristan hallis aka dj boring. the origins of london based dj & producer lie in australia, where he was raised and cultured amongst some of the most interesting musical phenomena of the 21st century a1 is an inventive tune with bristling drums and break beats run through with warped vocals, razor sharp hi hats and mellow padts deep but dynamic and will get you on your toes. b1 then chops up more trippy vocal samples and curious synth sounds with elastic, pinging kick drums and makes for something woozy yet groovy and full of intrigue. last but not least, b2 channels classic deep house vibes with balmy pads, garage style percussion and more slick drum work that really brings something fresh. this is a trio of cuts that bring the best out of each producer and results in truly original music.

the next release on shaddock records is more than just dance tracks, 2 songs that come with full-blown vocals, a re-edition of classic latin freestyle by jorge ojeda ft. hilda mariee with an up-to-date cover version by mr. & mrs. jonson. the original version is a slammer coming straight from miami the capital of freestyle music. driven by hard electro beats and ojeda s signature, miami bass with latin hip hop/ freestyle dance grooves, -betrayal- when initially released on ojeda s destune records became a club and street phenomenon in miami. it would be one of the first of many productions between jorge ojeda and hilda mariee and their project teaz ii pleaz.

founded in 2018 by dj and producer deni-shain the man behind acclaimed compilations space echo and pop makossa, atangana records is the logical follow-up to more than 20 years of travels, constantly on the lookout for new artists and music around the world. as a tropicalist globetrotter in this new project deni-shain, in partnership with thomas vicente, co-owner of the french restaurant le verre vole, aims to dig, reproduce & transmit cross-cultural music, usually unreachable and/or less known by the public. the goal is simple: share the love of music and to rediscover the pleasure of voicings, percussions and sadly forgotten harmonies, whether you find yourself in a jam packed club or the intimacy of your home. atangana’s first releases will be looking at the caribbeans islands, especially into haiti with the reissue highly expected by various diggers of the acclaimed single divizion by singer fedia laguerre. originally released in 1981, this first 12inch comes with a remix by voilaaa and an instrumental cut exclusively based on the additional work by the french afro-collective.

kantamoinen is perhaps the most intimately beautiful yet little known lp in mika vainio s Ø canon, bridging the gap between his classic ‘90s minimal techno productions - compiled in the vital metri and olento collections - and the project’s subsequent turn to more ambient, kosmic and dub wise dimensions in the coolly brilliant oleva and konstellaatio albums.

tim (aka jean marie tiam) and the sadly departed maurice foty who died in 2011. the musical cousins hails from bafoussam in cameroon. their signature vocal harmony sound may be the first thing you hear, however they also have produced a host of funkiest african funk around. they sing in their native language ngomâlah, as well as duala and english.

with the previous releases being delivered by tell and label boss nachtbraker, we are very delighted to welcome back parisian sample connoisseur s3a for the third installment of the trophy quartet. limited to 500 copies

having played at on loops 1st birthday in 2017 after guesting on moxies nts show the previous year, we are delighted to welcome lk back to the family for our seventh release. hailing from leeds, hes been a producer on the rise for a few years now after standout releases on labels like shall not fade and ruff draft. previously releasing under the alias viers, as lk he offers something with a more soulful touch. each offering on the three-tracker brings something slightly different to the package. title track ‘dreams has been made with the dancefloor in mind, whilst the summery ‘(i wanna) make luv 2 u is drawn from laid-back soul and motown influences. slow burner ‘summer of 93 closes the ep, with a direct nod to the slinky vibes of 70s disco.

a chance encounter in barcelona, spain brought us together to make this record happen. it’s a precious little marvel of love from kou keri kou and electric cowbell. based in barcelona, spain, the group began with the aim of making music to dance to, taking inspiration from all over the world with no fear: the music from cuba, perú, jamaica, congo and nigeria is as important for kou keri kou as the music played in europe or in the united states. los zafiros, gary numan, los destellos, radio futura, sunny ade and kiko veneno share place in their imagination and help them create open-minded pop that always looks to the future. their lyrics are sometimes open, sometimes a bit more cryptic, sometimes political and sometimes biting, but always try to communicate with the listeners while trying to make them dance. they’ve been playing together for two years, creating songs that didn’t exist before, urging the people to dance and singing about their issues, which may also be yours.

300 copies vinyl only release, fresh off the presses. get ‘em while they’re hot.

our mexican mate guillermo santana aka hotmood is on fire. he released very successful his vinyls on labels such as: editorial, whiskey pickle, hotmoods us, tugboat edits, star creature and many more and now he has joined in our disco fruit family. he brings four wonderful cuts in disco, funky and house style, of course in the style he likes the most. we can say, this is hotmood style!

superhuit music presents boogymann’s 7th concept album: boogymann & friends. boogymann & friends is an eight track concept album comprised of two parts: with remixes from the original album delight and other previously unreleased tracks that are best described as strong funky house music. the two eps combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: gene king, james duncan, manoo, david duriez, rocco, dan electro and boogymann himself. after six albums, teo -boogymann- moritz returns with this concept album and once again showcases his status as one of the greatest dj/producers for the global house dancefloors.

sometimes melancholic, sometimes even romantic, or energetic, or nostalgic. we didn’t want it to be just full of 4x4 functional dancefloor music, but also to show our wider range.

with -vilara-, trikk hits his 3rd release on innervisions and digs a deeper, yet more functional path to his compositional visions. a vivid freedom within the world of electronic musical construction.

rdk island return with their second record. this time, as the cover suggests, it gets darker and more enigmatic. wcc’s debut ”heroic purgatory delivers an industrial of techno, jungle and electronic with some broken but blissful ambiance on top. with this record, it’s up to you if you want to burn down the club or get the party started.

around 6 months after the success of the first lateral fragments vinyl, pjotr g & dubiosity return for part two. they continue where they left off, serving some deep, melodic vibes on tabula rasa and outage. with turmoil, the duo takes a bit of a different approach. the warm synths make way for some more hypnotic, raw vibes. petter b delivers a truly grand remix for turmoil, which is as fitting to lateral fragments as it is to your sets.

music from memory return with more ‘music from the living room’. delving further into the archives of british musician michal turtle, mfm 029 ‘return to jeka’ brings together eight previously unreleased works recorded between 1983 and 1985. drawn from a larger archive of works the compilation highlights a fascinating period of material michal recorded after the release of his only album.

as fabrice lig has contributed to the kanzleramt history – we are returning the favour and congratulate with this release to his 25th stage-anniversary! black stone is taken from universal tech ep of 2003 (ka089 12inch | digi). its powerful sequence was always considered as one of the best ever to be exposed on kanzleramt. so more than deserving and about damn time 3 new black stones emerge: polished into an epic set-starter or the jet-black time-lapsed grinding and compressing in the earth’s crust or raw acid washed. heiko leaves the choice to you.

best works records is back with a new offering from spanish artist luis junior. the two new tracks -ipsum- & “2db2” come with remixes by the production duo andre lodemann & fabian dikof aswell as one from italian shooting stars stereocalypse.
luis junior’s track -ipsum- continues to play with a slight spa-nish flair reminiscent of his previous output with us. “2db2” offers some more floor-ruffness and technoid play.
as remixers we are really happy to have stereocalypse on board, some might know their amazing work for whomadewho. for the second remix label-head andre lodemann joins best works records artist fabian dikof for their second remix collab after the success of their compuphonic remix.

the italian dj and producer viels is the perfect example of a promising artist who has earned his stripes in the scene. his first contribution to dynamic reflection was a single track on a va two years ago, then a solo ep on the nursery last year and now it s time for his first well-earned vinyl called distrophism. although his sound has matured over the years, he has never compromised as far as his straight forward sound goes. circular, the a1, is the best possible example of that. the continuous drive keeps it going for well over seven minutes, without ever becoming superficial or dull. the b-side extends to other sides of his musical spectrum by making use of more drone-like, hypnotic elements. beside these three convincing originals, spanish heavyweight svreca jumps in for a remix of circular, completing the variance of styles. needless to say, this new release, proves that viels as an artist and this ep in particular, are forces to be reckoned with.

ltd full cover edition! professor inc on night drive music. amazing 4 tracker with the spirit of the good old times. 4 classic tunes with raw and authentic analog vibes of professor inc. there is nothing more to say about this record. its a masterpiece! 180 gramm vinyl.

since his appearance on soccer96s jupiter masterdrive edits ep (alongside danny krivit and glenn astro flips, also on wotnot ) in 2015, and subsequent eps on wotnot, monologues and sgol, danvers has swiftly become a name to pay attention to. as a regular appearance on co-ops selectors assemble, both live and on their recent comp vol. 2, he s established himself as a new and original voice on the broken beat scene. his recent the future is broken mix series highlights his ear for unconventional dance music, something that makes him extremely at home on the wildly creative wotnot (thanks dj mag). the opening two tracks are strongly in the broken beat vein. mason opens with dreamy, rhodes jazz over a bruk beat with rolling snare fills, lulling us into a false sense of security before switching to an offbeat but irresistible squelchy synth groove. similarly, in aye ata the pulsing chord that slowly grows out of the beat suddenly turns the track around with a rhythmic twist, showing the playful broken beat in a whole new light. there s a house touch throughout the ep, none more so than in 1997, where a bouncing kick, soulful claps and a booming sub provide a steadier basis for laid back rhodes chords and dreamy spoken word samples. as a big influence on danvers music, frits wentink is welcomed onto remix duty with open arms. the wolf music regular brings an otherworldly vibe to his take on 1997 , with enchanting but almost disorienting chord swells and spiralling vocal fx punctuated with crisp snare rolls. the ever-busy danvers recently launched 38 east , a studio space and music community, with warren xlnce . warren s remix of 1997 was a surprise gift to his business partner and collaborator, and is a deeper house cut, joe armon jones (brownswood) rhodes jam over the track bringing a distinct peckham flavour. dj support from ig culture, andwot (touching bass), neue grafik & evm128 (co-op) t williams

to whom it may concern: following the release of the recently discovered musical recordings of the escaped extra-terrestrial lifeform known as darling, we have unearthed two more aural explorations that we believe the safe trip organisation must make available to the public. the first we are calling sim. it is the subjects most alien and otherworldly composition yet, combining mind-altering rhythmic elements with elastic electronic bass and chords from beyond the stars. the second, moon fleet, can only be decribed as next-level sci-fi daydreaming. since darling had no access to electronic hardware or musical instruments during his time in our holding facility, we have absolutely no idea how this music came into being.

hell yeahs next project is to revisit a collection of jazz covers of dance classics. back to new roots (serotonin fuelled jazz covers) was first released in 2011 by 3io, a band lead by double bassist manuel moretti and including richard maggioni on piano and matteo giordani on drums. they were veterans on the italian jazz circuit and put out a couple albums, but they are no more

insurmountable heat sliding through the cracks no doubt, uks sentry imprint is at it again. dj youngstas vinyl label is continuing its high-pressure output on dangerous 12inch records. routinely adding some of the worlds finest bass music artists to its roster, now welcoming none other than gramz to its venerable discography. the notorious alter ego of sleeper, highly respected producer and label operator (crucial rec.), takes a turn for the more aggressive & experimental side in dubstep territory firing up dance floors with its in-your-face attitude and hip hop inclined slack. unadulterated gangster business, stirring the melting pot of forward-minded sound system music.

we are more than pleased to present the new counterweight artist, our new family member directly from aarhus/denmark. we adopted antn and his synthesizer army right after listening to his kickass techno. his brutal kicks, cut up voice samples, relentless hi-hats and aggressive synths convince from the very first second and you will easily understand, why we ve chosen him. to round up this release we are glad to have this massive rave mix by under black helmet... a dancefloor destroyer.

this time around, greta cottage workshop indulges in a favourite pastime. dubbed out 10” vinyl. flashback of time: a haunting dub techno peregrination . . . giving you that grind it out happening, with your nearest grubby basement/dub rig interface. big inside the ride. utopia & visions: more of a ‘sunday morning, yet i’m not in bed’ experience - replete with laughing children, alien windstorms and dmt pixies chattering in your third earhole. waste a whole day with two copies and a crusty old mixer. specifically niche music for specifically niche people. keep smiling. rdma has been with gcw for time – yet this is a first time outing on record. worth the wait.

collaborating with producers cassy holds in high regard is the modus operandi of her newly launched label, kwench records. powered by the finesse of us veteran pete moss, the fourth ep dips the imprint into a slicker, more sensual side to house music. and adding fire to the flame is the legendary ron trent, who completes the release with a scorching ten-minute remix. cassy launched kwench records with a burning appetite to create house music with esteemed producers whose careers could be defined by their eagerness to experiment. with her championing moss’s and trent’s productions for years, she approached the fourth release confident that their collaborative material would be dynamite. cassy, among hundreds of her peers in the dance music sphere, has been an ardent admirer of chicago house hero ron trent for years. with a huge back catalogue dating back to 1990 its safe to say he holds a special place within dance music.

yoruba records is ecstatic to welcome back hallex m with our latest release, the oggun ep. kicking off with the title track, carlos mena lends his voice to give praise to oggun, the warrior-protector orisha, in this low end heavy and celebratory groove. slowing things down a bit,lhasa is a more subtle and relaxing cut, teasing you with a beautiful piano melody and funky bassline. nickodemus gets to work with his remix of the title track oggun. giving this a treatment with a thick and stubby bass, this mix takes things to a deeper territory appreciated by discerning dancefloors. we round out the ep with show you the world, a laid-back love song featuring the warm and inviting vocals of gabriele poso. once again hallex shows his prowess in crafting emotionally intelligent dancefloor tunes, we hope you enjoy these as much as we have enjoyed bringing them to you!

after the soft landing of banoffee pies records latest sub label venture otaku, the imprint continues following the theme of subtle compositions with the second edition, this time from swedish born vilhelm with mermaid porn. a five tracker starting with an aquatic feeling on the title track mermaid porn with bubbling effects rolling into the a2. entitled kirchner with more with positive and patient melodies. standing to attention in the spaceships cafeteria, the a side comes to a close with always in costume. the b side opens with saturday bossa - drums inspired by the brazilian music wave of bossa jazz with a slight twist. the b2. track, skopje blends off beat percussions with a cutting snare and a more electronic 4/4 direction. the general expression being, music for home. with love from banoffee pies. x

serge devant returns to one of his favoured labels with his white groove ep, delivering a pair of deep, textured tracks thatll vitalise any rigid dancefloor. archie hamilton makes his crosstown rebels debut and supplies a punchy, tripped-out revision of lead track, white groove. white groove is an absorbing mix of rumbling sub bass, soft, textured percussion, and ethereal pads. loose percussion and a tough kick carve out the initial vibe on connect to server. a hypnotising, low-riding synth is the final layer and helps generate even more groove into this peak time roller. archie hamilton switches up white groove, revising the bassline into a buzzing, forward pushing rhythm but retains the mystical feel of the original, bolstering the whirring pads and using intricate percussive sounds and fx. serge devant hails from brooklyn, new york and released his seminal track fearing love in 2015 on emerald city. since then he’s been championed by damian lazarus, a firm favourite on both crosstown rebels and rebellion, whilst also receiving plaudits for his releases on knee deep in sound and circus recordings. moscow records, moss.co and arkityp owner archie hamilton is one of the uks most promising talents, consistently releasing high quality house and techno on the likes of get physical, fuse london, 2020 vision, fear of flying among others.

fresh for 2018 the ever pioneering octave one are bringing us some brand new music for the new year. using their much loved random noise generation alias the upcoming release entitled n2 the enfinate , contains a new single as well as a remake of rock my soul in the form of the reborn vocal remix . the first random noise generation release was falling in dub in 1991 and sounding just as fresh 27 years later,‘n2 the enfinate’ is due for release this march. for this single a retro energy has been explored in the title track the enfinate , running parallel to a more contemporary groove and rolling, marauding baseline. the second track on the package, rock my soul (reborn vocal remix) starts with a strong intent and a weighty bassline paving the way for precise and bright chord stabs. the single is taken from the new album endustry, a full body of work encompassing 7 full length cuts, set for release in spring. after touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe. once it takes hold of you you cant stop even if you wanted to. say the brothers.

producer and vocalist kevin knapp delivers his killer new single blah blah blah, returning to the hot creations fold after last years vocal feature on jamie jones positive pressure. here, jamie returns the favour, partnering with another label favourite, detlef, to supply a monster of a remix. finding time in his hectic schedule of touring the world, running various record labels and his paradise parties, jamie jones teams up with one of his paradise residents detlef to deliver an audacious remix, perfect for the twilight hours. hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. greek artist detlef shot into the limelight in recent years with releases and remixes on labels like hot creations, relief, knee deep in sound, moon harbour, and defected. kevin knapp gained attention with a string collaborations with audiojack (gruuv, 2012), matt tolfrey (leftroom, 2012) and his debut hot creations cut with richy ahmed (2013). a prolific producer and featured vocalist since 2011, kevin has released on the likes of hottrax, crosstown rebels, dirtybird, mother recordings and more.

back to the future and northern velkommens to bro morken. eps for prins blud thomas full pupp show early production chops, but its his residency as part of oslos jaeger crew where the range of styles is truly showcased. appearances on trushmix series and his recent road trippin cassette for l.i.e.s last year show depth(charge) dj on a roll, but its setting up the moonlighting label where vibes came alive via some electro bass tribal sub bass wonder. jungle dialects! all and more over these 5 cuts afro-bump-shuffle-rat-tat-hats-acid-stab-meets-storyville-dark-tom-toms-pads-relentless-hypnotic-down-down-electro-italo-endings-and-bass!

stand out acidicted 6 tracker by exemptional musican fabrizio rat. two different worlds joining each other for an unbelievable and profoundly listening experience. the classic piano – played with fabrizios right hand and the tb-303 and other analogue machines played by his left hand. he truly forms an hypnotic state of mind for the listener. no more words here, just listen please! outstanding conceptcover, shrinked and high quality pressing. cut and mastering by cgb at dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

next up to bat on art alfies velvet pony is stockholm talent and karlovak alumni cj scott and he hits way out of the park. the ep includes the highly anticipated track peaktimekatten already featured on baba stiltz resident advisor mix along with two more housebombs both bearing cjs signature touch of speed and urgency stretched out over the full length capacity of a records side. his previous release on karlovak gained huge support from the likes of martinez brothers and cassy.

the raw jacking sexiness of ghetto house has always played a big role in the killekill universe. so its high time to put out our first release which goes that direction. italian andrew soul is an artist we have been watching for a while already. when he sent the demo with the extremely raw and dirty tunes that you find on the a-side of this 12inch, the decision was easy: killer stuff which makes you bounce immediately we want to put this out! the b-side comes from dirtbox, who is also one half of snuff crew and therefore has been part of the killekill family for a while already. actually almost from the start. being the musical wizard he is, he can not only make house and acid music and anything else you could think of, but also class a ghetto house. maybe even more classic than andrew souls side but ranging from the percussive style of smmfd and work that to the raw energy of fukk it is definitely in no way less original. shake dat ass!